{"id":361,"date":"2022-07-10T06:53:10","date_gmt":"2022-07-10T06:53:10","guid":{"rendered":"https:\/\/madhansrasikapriya.in\/?page_id=361"},"modified":"2022-07-10T06:54:45","modified_gmt":"2022-07-10T06:54:45","slug":"our-syllabus","status":"publish","type":"page","link":"https:\/\/madhansrasikapriya.in\/our-syllabus\/","title":{"rendered":"Our Syllabus"},"content":{"rendered":"

Vocal \/ Veena \/ Violin \/ Flute \/ Keyboard \/ Guitar \/ Mirydangam \/ Tabla \/ Drums And Bharathanattyam<\/p>\n

1. Baala paadam (In Mayamalavagowlai and Shan Kara Thodi Kal Hari Nata
\nraagas)
\n(a) Sarali varisaigal
\n(b) Jantai varisaigal
\n(c) Hetchu sthai varisaigal
\n(d) Dhagu sthai varisaigal
\n(e) Dhaatu varisaigal
\n(f) Alankaram<\/p>\n

2. Geetham
\n(a) Malahari
\n(b) Sudha saveri
\n(c) Mohanam
\n(d) Kalyani
\n(e) Saveri
\n(f) Kamboji
\n(g) Harikamboji
\n(h) Aarabi
\n(i) Aanandha bhairavi<\/p>\n

3. Swarajathi
\n(a) Bilahari
\n(b) Kamas
\n(c) Aanandha bhairavi
\n4. Jathiswaram<\/p>\n

5. Varnam (aadhi thalam)
\n(a) Mohanam
\n(b) Shankarabaranam
\n(c) Kalyani
\n(d) Hamsadhvani
\n(e) Abogi
\n(f) Sahana
\n6. Varnams (ata thalam)
\n(a) Bhairavi
\n(b) Shankarabaranam
\n7. Krithis
\n(a) Hamsadhvani<\/p>\n

(b) Mayamalavagowlai
\n(c) Aaberi
\n(d) Bhahudhari
\n(e) Shankarabaranam
\n(f) Keeravani
\n(g) Saveri
\n(h) Aabogi
\n(i) Sudha saveri
\n(j) Chithraranjani
\n(k) Bhilahari<\/p>\n

8. Raagamaligai
\n(a) Aarabi manam
\n(b) Kurai ondrum<\/p>\n

9. Raaga aalapanai
\n(a) Mayamalavagowlai
\n(b) Saveri
\n(c) Hamsadhvani
\n(d) Aaberi
\n(e) Mohanam
\n(f) Kalyani
\n(g) Shankarabaranam
\n(h) Sahana
\n(i) Bhairavi
\n(j) Begada
\n10. Kalpana swaram
\n(a) Aadhi
\n(b) Rupakam
\n(c) Misrachapu
\n(d) Thisrachapu
\n(e) Kandachapu
\n11. Thaanam
\n(a) Mayamalavagowlai
\n(b) Saveri
\n(c) Hamsadhvani
\n(d) Aaberi
\n(e) Mohanam
\n(f) Kalyani
\n(g) Shankarabaranam
\n(h) Sahana<\/p>\n

(i) Bhairavi
\n(j) Begada<\/p>\n

12. Padham<\/p>\n

13. Jaavali<\/p>\n

14. Thillana<\/p>\n

15. Panjarathnam (thamizh & telugu)<\/p>\n

16. Thirupugazh<\/p>\n

17. Thiruvembavai<\/p>\n

18. Dhivyaprapandham<\/p>\n

19. Navaraagamaligai<\/p>\n

Flute<\/p>\n

1. Baala paadam
\n(a) Sarali varisaigal
\n(b) Jantai varisaigal
\n(c) Hetchu sthai varisaigal
\n(d) Dhagu sthai varisaigal
\n(e) Dhaatu varisaigal
\n(f) Alankaram
\nStudents should play the Baalapadam in following raagas.
\n(a) Harikamboji
\n(b) Mayamalavagowlai
\n(c) Thodi
\n(d) Kalyani
\n(e) Shankarabaranam
\nand also in Shaadava \/ Audava raagas like<\/p>\n

(a) Mohanam
\n(b) Sudhasaveri
\n(c) Madhyamavathi
\n(d) Hindolam
\n(e) Hamsadvani
\n(f) Sriranjani
\n(g) Malayamarudham (etc.)<\/p>\n

Saadhaga varisaigal
\n(a) srgrrss,
\n(b) smggrrss,
\n(c) srg,mgr,grss,
\n(d) srsr,r ssr,r srrgg s,ss,rsg ssr,rgg
\n(e) srg,mgrs,<\/p>\n

2. Geetham
\n(a) Malahari
\n(b) Sudha saveri<\/p>\n

(c) Mohanam
\n(d) Kalyani
\n(e) Saveri
\n(f) Kamboji
\n(g) Harikamboji
\n(h) Aarabi
\n(i) Aanandha bhairavi<\/p>\n

3. Swarajathi
\n(a) Bilahari
\n(b) Kamas
\n(c) Aanandha bhairavi<\/p>\n

4. Jathiswaram<\/p>\n

5. Varnam (aadhi thalam)
\n(a) Mohanam
\n(b) Shankarabaranam
\n(c) Kalyani
\n(d) Hamsadhvani
\n(e) Abogi
\n(f) Sahana<\/p>\n

6. Varnams (ata thalam)
\n(a) Bhairavi
\n(b) Shankarabaranam<\/p>\n

7. Krithis
\n(a) Hamsadhvani
\n(b) Mayamalavagowlai<\/p>\n

(c) Aaberi
\n(d) Bhahudhari
\n(e) Shankarabaranam
\n(f) Keeravani
\n(g) Saveri
\n(h) Aabogi
\n(i) Sudha saveri
\n(j) Chithraranjani
\n(k) Bhilahari<\/p>\n

8. Raagamaligai
\n(a) Aarabi manam
\n(b) Kurai ondrum<\/p>\n

9. Raaga aalapanai
\n(a) Mayamalavagowlai
\n(b) Saveri
\n(c) Hamsadhvani
\n(d) Aaberi
\n(e) Mohanam
\n(f) Kalyani
\n(g) Shankarabaranam
\n(h) Sahana
\n(i) Bhairavi
\n(j) Begada<\/p>\n

10. Kalpana swaram
\n(a) Aadhi
\n(b) Rupakam
\n(c) Misrachapu
\n(d) Thisrachapu
\n(e) Kandachapu<\/p>\n

11. Thaanam
\n(a) Mayamalavagowlai
\n(b) Saveri<\/p>\n

(c) Hamsadhvani
\n(d) Aaberi
\n(e) Mohanam
\n(f) Kalyani
\n(g) Shankarabaranam
\n(h) Sahana
\n(i) Bhairavi
\n(j) Begada<\/p>\n

12. Padham<\/p>\n

13. Jaavali<\/p>\n

14. Thillana<\/p>\n

15. Panjarathnam (thamizh & telugu)<\/p>\n

16. Thirupugazh<\/p>\n

17. Thiruppavai<\/p>\n

18. Thiruvembavai<\/p>\n

19. Ashtapahi<\/p>\n

19. Dhivyaprapandham<\/p>\n

20. Navaraagamaligai<\/p>\n

Key board and Guitar<\/p>\n

1. Carnatic (Basic)
\nBaala paadam (In Mayamalavagowlai and Shan Kara Thodi Kal Hari Nata
\nraagas)
\n(a) Sarali varisaigal
\n(b) Jantai varisaigal
\n(c) Hetchu sthai varisaigal
\n(d) Dhagu sthai varisaigal
\n(e) Dhaatu varisaigal
\n(f) Alankaram<\/p>\n

2. Geetham
\n(a) Malahari
\n(b) Sudha saveri
\n(c) Mohanam
\n(d) Kalyani
\n(e) Aanandha bhairavi<\/p>\n

3. Swarajathi
\n(a) Bilahari
\n(b) Kamas
\n(c) Aanandha bhairavi<\/p>\n

4. Western (do re mi fa sol la te do)
\n(a) Treble clef notes
\n(b) Bass clef notes<\/p>\n

5. Major scale<\/p>\n

6. Minor scale
\n(a) Natural
\n(b) Melody<\/p>\n

(c) Harmony<\/p>\n

7. Triads<\/p>\n

8. Chords
\n(a) Major
\n(b) Minor
\n(c) Diminished
\n(d) Augmented
\n(e) Major 6 th
\n(f) Minor 6 th
\n(g) 7 th
\n(h) Major 7 th
\n(i) Minor 7 th
\n(j) 7 th with 5 flat
\n(k) 7 th with 5 sharp
\n(l) Diminished 7 th
\n(m) 9 th
\n(n) 7 th with 9 flat
\n(o) 7 with 9 sharp
\n(p) Major 7 th with 9 th
\n(q) 9 th with 5 flat
\n(r) 11 th
\n(s) Augmented 11 th
\n(t) 13 th
\n(u) 13 th with 9 flat<\/p>\n

9. (a) Relative chords \/ scales
\n(b) Chords progression<\/p>\n

10. Song playing<\/p>\n

Mirudhangam<\/p>\n

1. (a) Tha Dhi Thom Nam<\/p>\n

(b) Ki Ta
\n(c) Thirikita
\n(d) Thalangu
\n(e) Farans
\n(f) Theka varisaigal<\/p>\n

2. Atheetha, Anaagatha, Sama, Visama eduppu<\/p>\n

3. Yathis<\/p>\n

4. Shadaangam \/ Sirasaangam \/ soolathi thalas<\/p>\n

5. Saptha thalas<\/p>\n

6. Aadhi thalam (each 10 exercise)
\n(a) 1 Aavardhanam
\n(b) 2 Aavardhanam
\n(c) 4 Aavardhanam
\nThree speeds with mhoras
\n7. Thisra eka thalam (each 10 exercise)
\n(a) 4 Aavardhanam
\n(b) 8 Aavardhanam
\n(c)16 Aavardhanam
\nThree speeds with mhoras<\/p>\n

8. Manodharma playing with mhoras<\/p>\n

9. Misrachapu thalam (each 10 exercise)
\n(a) 8 Aavardhanam
\n(b)16 Aavardhanam
\n(c)32 Aavardhanam
\nThree speeds with mhoras
\n10. Jampa thalam (each 10 exercise)
\n(a) 1 Aavardhanam
\n(b) 2 Aavardhanam<\/p>\n

(c) 4 Aavardhanam
\nThree speeds with mhoras<\/p>\n

11. Jathis by vocal rendering
\n(a) Aadhi
\n(b) Rupakam
\n(c) Chapu
\n(d) Jampa<\/p>\n

12. 35 thalas. (Soolathi thalam)<\/p>\n

13. Theermanas
\n(a) Aadhi
\n(b) Rupakam
\n(c) Chapu<\/p>\n

14. 108 thalam (any 10)<\/p>\n

15. Playing for Pallavi, Niraval, Kalpanaswaram<\/p>\n

Tabla<\/p>\n

1. Sam, Thali, Khali<\/p>\n

2. Bole practice<\/p>\n

3. Introduction for hindusthan and carnatic style playing<\/p>\n

4. Tala lipi (Notation system)<\/p>\n

5. Farans and Mhoras<\/p>\n

6. Bole vocalisation<\/p>\n

7. Thalas and their thekas
\n(a) Aarkhetma
\n(b) Ada Choutal
\n(c) Bhajan
\n(d) Brahma Taal
\n(e) Choutal
\n(f) Dadra
\n(g) Deepchandi
\n(h) Dhamar
\n(i) Ektal
\n(j) Gaj Jhampa
\n(k) Ganesh Taal
\n(l) Gat
\n(m) Jhumra
\n(n) Kerava
\n(o) Lakshmi Taal
\n(p) Mohra
\n(q) Rudratal
\n(r) Rupak
\n(s) Saraswati Taal
\n(t) Thumri
\n(u) Tivra
\n(v) Trital
\n(w) Vilambit Trital
\n(x) Zaptal<\/p>\n

Drums<\/p>\n

1. Hi-Hat \/ Bass drum exercise<\/p>\n

2. (a) Rolls (up to 14 rolls)
\n(b) Flam
\n(c) Ruff
\n(d) Drags
\n3 Basic, intermediate, Advance beats.<\/p>\n

4. (a) Standard ride beat and its variation
\n(b) Shuffle
\n(c) Two beats
\n(d) Soft shoe
\n(f) Country beats
\n(g) Polka<\/p>\n

5. Waltz<\/p>\n

6. Rock
\n(a) Triplet rock
\n(b) Eight note rock
\n(c) Slow rock
\n7. Latin rhythms
\n(a) Cha-Cha
\n(b) Cha-Cha-Cha
\n(c) Cha-Cha and Cha-Cha-Cha combined
\n(d) Rhumba
\n(e) Guaracha
\n(f) Samba
\n(g) Beguine
\n(h) Tango
\n(i) Meringue
\n(j) Bossa nova<\/p>\n

8. (a) Coda
\n(b) Playing for song<\/p>\n

Bharatha naatyam<\/p>\n

1. Adavus<\/p>\n

2. Hasthas (one hand \/ both hands)
\n3. Slogam
\n4. Alaaripu
\n5. Pushpaanjali
\n6. Hastha viniyoga
\n7. Jathiswaram
\n8. Shapdham
\n9. Kouthuvam
\n10. Varnam
\n11. Padham
\n12. Javali
\n13. Thillana
\n14. Keerthanam
\n15. Dhasavadhaaram
\n16. Abhinayam
\n17. Navarasam<\/p>\n","protected":false},"excerpt":{"rendered":"

Vocal \/ Veena \/ Violin \/ Flute \/ Keyboard \/ Guitar \/ Mirydangam \/ Tabla \/ Drums And Bharathanattyam 1. Baala paadam (In Mayamalavagowlai and Shan Kara Thodi Kal HariContinue readingOur Syllabus<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/madhansrasikapriya.in\/wp-json\/wp\/v2\/pages\/361"}],"collection":[{"href":"https:\/\/madhansrasikapriya.in\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/madhansrasikapriya.in\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/madhansrasikapriya.in\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/madhansrasikapriya.in\/wp-json\/wp\/v2\/comments?post=361"}],"version-history":[{"count":2,"href":"https:\/\/madhansrasikapriya.in\/wp-json\/wp\/v2\/pages\/361\/revisions"}],"predecessor-version":[{"id":363,"href":"https:\/\/madhansrasikapriya.in\/wp-json\/wp\/v2\/pages\/361\/revisions\/363"}],"wp:attachment":[{"href":"https:\/\/madhansrasikapriya.in\/wp-json\/wp\/v2\/media?parent=361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}